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On this
page you will find three Just Jazz-suggested CD's
by
Sonny
Rollins, all classic releases, all linked to Amazon.com for available
purchase.
CD Picks - Sonny
Rollins
(b. 9/9/30 - New York, NY)

For more info and purchase, click here! |
Title:
Saxophone Colossus (Remaster)
Personnel: Sonny Rollins (tenor
sax), Tommy Flanagan (piano), Doug Watkins (bass), Max Roach (drums).
Recorded: 1956
Label: Fantasy
Comments: Sonny Rollins is definitely
one of the most important tenor saxophonists in the history of
jazz. Along with John Coltrane and Joe Henderson, Rollins' contribution
to modern saxophone vocabulary is essential. One of the first
post-bop saxophonists, Rollins' big breathy sound and wry linear
statements make up his unique vocabulary that can be identified
after only a few notes. Every serious saxophone player has studied
Sonny extensively - you just can't play jazz saxophone without
first going through Sonny Rollins.
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For more info and purchase, click here! |
Title:
Sonny Side Up
Personnel: Sonny Rollins, Sonny
Stitt (tenor sax), Dizzy Gillespie (trumpet), Ray Bryant (piano),
Tommy Bryant (bass), Charlie Persip (drums).
Recorded: 1958
Label: Verve
Comments: This CD is filled with sparks,
as the two Sonny's square off! The story goes that Dizzy egged
each musician on, telling both separately, "Man, Sonny is
going to kick your a-- on this recording!" And boy can you
hear the battle! Check out the 14 minute version of "The
Eternal Triangle" for some serious tenor fireworks... Whew!
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For more info and purchase, click here! |
Title:
The Bridge
Personnel: Sonny Rollins (tenor
sax), Jim Hall (guitar), Bob Cranshaw (bass), Ben Riley (drums).
Recorded: 1962
Label: Fantasy
Comments: From the end of 1959 through
1961, Rollins took some time off from performing to concentrate
solely on practicing, or "shedding" in jazz-lingo. The
Bridge was his first release after this hiatus, aptly titled
after the Brooklyn Bridge, under which he "shedded"
each night into the wee hours of the morning. Although not strikingly
different from his earlier recordings, there definitely is an
added depth to his playing not heard on earlier recordings. In
any event, this group more or less introduced the fantastic guitarist,
Jim Hall, to the jazz world at large. An important event in an
of itself.
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